SINNERS dances with the devil—or more precisely, makes the devil dance on Ryan Coogler’s own terms....
The cycle of violence never stops — not even to exhale — in Joko Anwar’s PENGEPUNGAN DI BUKIT DURI,...
enerational trauma makes yet another comeback in Oz Perkins’ THE MONKEY — but now it gets (c)amped u...
Social class, weird dietary & sci-fi, Bong Joon-ho revisits his niches in MICKEY 17, a little convol...
CONCLAVE carries the weight of judgment—reminiscent of Pope Francis' bold question, "Who am I to jud...
Mangold plays it safe in A COMPLETE UNKNOWN, but in doing so, provides Chalamet with the perfect can...